Series
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Dímelo Flow

From producing Justin Quiles to releasing his own electronic-laced reggaeton, Jorge Valdés Vázquez is shaping the future.
Show transcript
00:00
An honor for me to, to represent my flag and to represent where
00:04
it really started from.
00:05
You know what I mean?
00:06
Spanish reggae and then they converted it to reggaeton.
00:08
Thank you so much for being here with us at Latino music by me
00:11
too.
00:12
And you know, this is more like a deep dive into your career
00:15
and like your story and you know, let's start off with like
00:18
talk to us about your career journey.
00:19
Like you were born in Panama.
00:21
How did you get to, you know, to be one of like the main producers
00:23
in the Latin music and history?
00:25
Listen, I was really into music since I was little, my parents
00:29
my mom, I was mopping the floor with a salsa and my cousin was
00:34
a DJ and I actually started out, I was really into basketball
00:37
a lot.
00:38
So I was playing basketball for a U, I was playing basketball
00:40
in bar city and, and in high school and then I got into a car accident
00:45
and I broke my femur and, and I was down for like three months
00:48
and then I started falling in love with D and the music.
00:52
So and it was a quick story.
00:54
And then after I couldn't play basketball, no.
00:55
Last, this is not that I couldn't play.
00:57
I just, I couldn't be myself in the court anymore.
00:59
So I didn't feel like that guy, you know, anymore.
01:03
So I started falling in love with music.
01:05
I, I was living in Orlando, I used to back and forth to Panama
01:08
and I went to, to one of my cousin's house and there was DJ.
01:11
He had, but back then he had a little computer with like a small
01:15
like, playing with the, with the DJ stuff to the computer
01:18
And then I started falling in love with, with that because
01:20
I like to be in front of the audience and, and, and, and people
01:25
screaming hands up.
01:26
And I like the feeling of that.
01:27
I like the feeling of the radio and from there to be honest with
01:30
you, I, I fell in love with the music and I started doing what
01:34
I'm doing now.
01:35
Do you think that your experience?
01:37
Because I think there's no one has a better ear than a DJ at a
01:39
club.
01:40
Like, do you know what's up?
01:41
You know what people like?
01:42
You know what people vibe to do?
01:43
You think that shaped you as the person that you are?
01:46
That's my main thing.
01:47
That's my main thing.
01:48
I think that's my sound because I, I actually feel what, what
01:52
the people want to hear.
01:53
I feel what the people want to listen to.
01:55
I like to go out a lot to see what people like.
01:59
You know what I mean?
02:00
I not to disrespect anybody but, or, or, or say anybody but
02:04
a lot of the people that are in the labels, the A and Rs, a lot
02:08
of people that all the producers that are in the house just
02:12
sitting there making beats.
02:14
I, you need to live and, and in order for you to live, you need
02:17
to know what people like because if you're in a house, you don't
02:20
know the reaction that you, that your crowd will have to the
02:23
song.
02:24
So that reaction, you can't fake that you have to be in the,
02:28
in the crowd.
02:29
You have to be out there.
02:30
You have to be not in the same partying, but you have to be in
02:33
the street in order for you to know the reaction from the crowd
02:36
You know what I mean?
02:37
What's your creative process?
02:38
Like does an artist come to you?
02:39
Like, hey, can you, can we do a song or like, do you, do you produce
02:44
the beat?
02:44
And then, you know, I have a team, I have a team of, of producer
02:48
I have a team of writers and I actually, I create the music
02:51
and I hand it to them, you know what I mean?
02:53
That's, that's how I, I actually have my process of, of, of
02:58
of working, you know what I mean?
02:59
And I I give you the song.
03:01
Sometimes we're gonna, I like to create from zero.
03:03
You know what I mean?
03:04
I have to like give you the crown.
03:06
I'm crown on you right now.
03:07
Well, a remix.
03:08
Master remix.
03:15
When you do a remix, how do you know which artist you wanna add
03:18
to it?
03:19
I mean, it's actually, I, I have it from the beginning like
03:22
after we make the songs like, OK, this gotta fit here.
03:24
We gotta put this one here.
03:25
We gotta put another one over here just because the fact of
03:28
of the, the voices, the different voices, the different
03:31
styles and, and I actually feel the record.
03:34
Ok, so if I put, I got a Yankee here and if I put a, uh, uh, uh, uh
03:39
an here, do I put a sign, Lex here?
03:41
That would it work like this?
03:43
OK.
03:43
Maybe he's six for the first verse.
03:45
Um, Yankee goes first.
03:47
Now let's put Yankee last because the people would expect
03:49
him at the end and they listen to the whole song.
03:51
It's a strategy that it just may not.
04:02
Avengers was a game changer by the way.
04:03
And, and the, and a lot of music, I just speak for props to you
04:06
because I think it elevated.
04:07
You said play that to like another level.
04:12
The Avengers was actually all of us.
04:14
You know what?
04:14
I don't, I don't, I don't credit myself only.
04:17
It's a, it's a, it's a group that we all, we all actually got
04:21
together and, and felt the vibe and we, we decided to create
04:25
the Avengers and, and actually, I, I love that creative process
04:30
because we are friends, close friends, we hang out with each
04:32
other.
04:32
We know what we like.
04:33
We know how to deal with each other.
04:35
That's very important when you do an album like that because
04:38
it's actually all of us in the same record.
04:40
So you have to know how each other vibes, you know, I have to
04:43
get, you know, how, how, how Lenin works, how Justin works
04:48
how sex works.
04:49
They all work different, they all have their own different
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style of work.
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Anything.
04:53
I mean, as a producer, I have to deal with all of them.
04:55
It's like that my kids is there gonna be a follow up for, for
05:00
the Avengers by any chance or what do you have in store for us
05:04
I can't tell you that, but I think people would want it.
05:07
I've seen like a lot of lady and with some of your, your songs
05:10
as well that you're credited as an artist in, in the songs.
05:13
Like I've seen, for example, other producers like Benny Blank
05:15
called Calvin Harris, like name a few.
05:17
Do you think that's necessary for like producers in the Latin
05:19
industry to get, you know, more visibility necessary for
05:22
anybody else?
05:22
But I'm gonna do it.
05:28
I was reading an article that apparently used lead into Tiger's
05:31
D apps.
05:32
I actually did, I actually did.
05:34
And then we, we got a couple, I'm working a couple of stuff with
05:36
Tiger.
05:36
I got like 23 records with him and in different markets.
05:39
But I did a slide into the yo, I, I got this record and I want you
05:42
to listen to and then actually did a couple of rock, did a couple
05:45
of records with him to be honest with you.
05:47
So is that like the best way for like an artist to reach or just
05:50
like, doesn't really work all the time?
05:52
But for me, I'm pretty sure I can go back into my tweets.
05:56
I think there's like a tweet from like three years ago.
05:58
But II, I think I said, where did that come from?
06:01
Because he came out the gate with bankers.
06:02
And then I'm like, oh, they're all produced by, by my name.
06:05
I'm not even actually that's, that's the thing that's like
06:08
we all set came set.
06:11
Actually, people, a lot of people don't know from set.
06:12
He's a producer himself, but he sometimes most of the time
06:16
he brings me the records.
06:17
I almost done and then I just put my touch to him and we work as
06:20
a team, you know, and what are you, are you working with him
06:24
on, on, on 42?
06:25
And oh, uh to be honest with you for 42 42 is, is, is one of his
06:33
best albums I can say the, and we have to change our sound because
06:43
sometimes it, it becomes people know where people know.
06:46
But at the end of the day, that's why I work with different.
06:48
I have a team, I have a big team that, that we all have different
06:52
sounds that we all know what we lack in and we all know what we
06:55
don't lack in.
06:56
We all know where, what's our best to do what we do best and,
07:00
and, and that's why I think we have a success on, on what we have
07:04
done on, on, on the industry.
07:06
And then I think like, Panama and art is like, are on the rise
07:08
right now, especially with you with that.
07:10
We have almost, my whole team is from Panama and different
07:14
really and Colombia.
07:15
And uh yeah, I have one Puerto Rican and I think too, I think
07:19
how do you feel to like, you know, represent Panama, like at
07:21
the global stage and like, you know, showing like different
07:24
sounds that come from like the, like, it's an honor for me.
07:27
It's an honor for me to, to represent my flag and to represent
07:30
where it really started from, you know what I mean?
07:33
Spanish reggae and then they converted to reggaeton.
07:35
I think it started to turn down and we, we, we're doing it and
07:38
we're gonna do it even better.
07:40
So we just gotta get together and, and everybody works team
07:43
There's that whole debate of like, how do you feel about that
07:50
You can take care of your family?
07:52
That's what you gotta figure it out lately.
07:55
You've been producing for like artists like Daddy, Daddy
07:57
Yankee JB tag and all that.
07:59
Like, what can you tell us about working with them?
08:01
Like your experience working with them?
08:03
I mean, it's a dream working with Yankees.
08:05
Like you, you, you've seen him from and now like me being in
08:08
the studio for him, give me the credibility to work on records
08:11
with him is, is, is a blessing.
08:13
Any artist like like your dream collapse or like artists you
08:17
want to produce for in the future that you're like, oh, it seems
08:19
for now, but I need, we need to hit the American market, Drake
08:23
Post Malone Travis, Scott Chris Brown.
08:28
That's my next goal.
08:30
And then I guess to like Romeo, but that would be a good one.
08:34
That would be a good one.
08:34
I mean, I did a record with Romeo remix but I wasn't in the studio
08:38
with him.
08:38
So I didn't get to catch that vibe.
08:40
It's different.
08:40
Do you have like, like to close it out?
08:42
Like any advice for like up and coming producers believe in
08:45
God and keep working hard and never give up.
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That's the key.
08:48
You gotta keep working.
08:49
It doesn't matter.
08:50
It can take you 15 to 10 years, it can take you a year.
08:53
But if you no excuses for me when you want something that I have
08:58
Something that I tell my team all the time.
09:00
Is there no excuses this, you know what I mean?
09:03
If you don't have excuses, you're gonna succeed in life.
09:05
Always Latino music.
09:09
Buy me too.
09:11
You already.
09:12
Now, let's go.