00:00
Look at this beautiful album.
00:01
Thank you. I love that.
00:03
Like you can like physical things like this,
00:05
you know, very important.
00:06
They're coming back. This is what they shouldn't have never left
00:09
I know we're good to go.
00:10
Right. We're going good to go.
00:19
how was it working with these amazing collaborators?
00:22
your mom, Gloria Estefan.
00:25
What, what is it like to work with these people?
00:27
It's a everyday thing.
00:33
I always look forward to playing with my dad anyway.
00:36
So it's just, that's no one can reach that level of
00:40
musicianship and artistry. Like being able to play with and perform
00:45
you know, and what I've learned from him is just amazing
00:49
she, she's on the record.
00:51
We try to, on some of the records.
00:52
She loves playing Guido.
00:53
She's a great Guido player.
00:55
Yeah. So they get her in there,
00:56
right? Oh I gotta get her in there.
00:57
So it's not intimidating at all.
00:59
These are every day.
00:59
Your friends are calling them up.
01:01
What's up? Let's do this kind of,
01:03
the, the one that there were two people I
01:06
had never met Hio Santa Rosa ever.
01:08
And I was just like,
01:09
so honored to have him on the record and he's just a
01:12
sweetheart. He's a gentle man.
01:15
he first came into the studio,
01:17
the track was already done.
01:18
And so we overdubbed his vocal and,
01:23
like, how can he just sing that easy?
01:26
You know, with such grace and like that song that we
01:30
did. El Rey Del Timba is just so fast and he
01:33
just, he just put like butter on it,
01:36
you know, it just made it amazing.
01:38
But,, I wasn't in the studio,
01:43
I sent him the track and that was one for sure.
01:47
I knew that I wanted on the record and when he sent
01:52
I just heard his first four words and then I just cried
01:56
I stopped it and I went outside and I just like
01:59
thank you. Thank you Lord.
02:01
The sun's beaming perfectly.
02:02
You go. It was crazy.
02:04
Like he's just incredible.
02:06
Everyone know that that put their 150% on this project is
02:13
I, I, I'm just happy it's finally done and it
02:18
And what's, what's the ST like?
02:20
You guys are just riffing doing your thing or is there like
02:24
food, drinks? What's the vibe?
02:26
Well, we start off by saying hello,
02:28
we say prayer and you know,
02:31
we start playing and then by the end of the song,
02:34
we're drinking tequila shots.
02:35
Like, I don't know how that happens.
02:36
Like we're playing in his tequila.
02:41
Actually most of the record I recorded in,
02:44
in Miami with amazing artist and it was produced by
02:49
Tony Suko and myself and we recorded a lot on
02:53
his, in his studio and then other things that I,
02:56
I came home and then recorded the rest in my studio.
02:59
But majority of it is,
03:02
is in Miami with amazing musicians.
03:07
How is Miami compared to back then to now?
03:09
What's Miami like? Well,
03:11
I mean, back then it's like it was,
03:14
I feel that it was more of a party scene back then
03:18
I don't hang out as much so maybe that might be it
03:20
But I think back in the day when I ca I
03:23
would go to, you know,
03:25
I would just look as like,
03:27
let's fly to Miami to this is when you could just get
03:29
on the plane at the last minute you go take a flight
03:31
to Miami. I loved Miami.
03:34
I just, I loved hanging out and then on the beach
03:37
and then the parties and the music and everything,
03:40
the energy is different.
03:41
Everything. Absolutely. 100%.
03:43
How were the after parties back then?
03:47
just like going to New York.
03:49
The same thing you would,
03:50
we'd open the door coming out of the club and
03:52
it was daytime. So it was literally,
03:55
no, literally, I would,
03:56
you know, there were,
03:57
there were parties that we would knock on the door with a
03:59
secret knock to get in.
04:01
And then next thing you know,
04:03
it's time to go eat breakfast and we'd eat breakfast and then
04:06
go to bed. That was,
04:08
that was the scene who,
04:09
who, who was in the scene when you're going out there
04:11
you're knocking on the door,
04:12
secret entrance. They let you in.
04:13
What's up? Who was the first couple people you see when
04:16
you walk in, I can't tell you,
04:18
I wanna know so bad.
04:22
Well, I know I'm seeing Sheila E,
04:23
I'm like when she leaves that,
04:24
that's all you need to know.
04:25
Tequila shots or crying.
04:27
Maybe this, you know,
04:30
I love dancing. So even,
04:32
you know, going to Miami and New York a lot,
04:35
I would go just to hang out and,
04:37
and the cool thing about it even back in the day,
04:38
I was asked the DJ K play my song,
04:41
you know, and we would bring vinyl,
04:43
you know, and just like,
04:44
here, can you play this?
04:46
You know, and then to hear it in the club,
04:48
like, Bump and it's like,
04:51
and I would just press vinyl just to play it in the
04:53
club and then go back to the studio and make changes if
04:57
it didn't sound right.
04:58
That's, that's the best way to do it.
05:00
Yeah. Who gets to do that?
05:02
I mean, and that's what we were able to do back
05:04
in the day. So you're hearing like salsa music in the
05:09
club? What, what do you want people to feel when
05:11
they're like listening to salsa now?
05:13
What's like that now?
05:14
Well, it's really important for the younger people,
05:17
the younger generation to really,
05:19
like, take hold of this music because it's been here forever
05:25
for a while, I think it went away,
05:26
you know, and I think it's coming back again and I
05:29
think if the young people could get a hold of this and
05:32
really just like it,
05:34
it's inspiring. It's a lot of fun.
05:37
you know. There's still a lot of amazing new artists
05:41
coming up and singing salsa,
05:43
which is great. They're mixing it with hip hop and you
05:48
it's just amazing. So,
05:49
you know, I just want the young people to,
05:51
to take a hold of this and write,
05:53
like just don't let this music die.
05:55
This is important music for the community,
05:57
for the people. It's culture,
06:00
it's family. And then,
06:03
you know, look up the artists like Celia Cruz.
06:06
you just smile if you don't know,
06:08
you've been under a rock but,
06:11
you know, but all of these artists,
06:12
I mean, they've been around forever and I was inspired by
06:15
salsa music growing up.
06:18
it's, it's it's a music that I hope never dies
06:21
because it's so inspiring.
06:22
Put me on some game who's like an artist that I need
06:24
to look up to right now.
06:25
Like any new artist that you're like,
06:27
this is gonna be the new generation.
06:29
Is anybody you're feeling there's you know what,
06:32
there's probably 30 right now that I'm looking at,
06:35
there's a lot and and,
06:37
and the interesting thing is like I was telling someone the other
06:39
day, like I go on social media almost every day.
06:43
I try not to but I have to and just keeping
06:46
up with things, but I,
06:47
the cool thing about it is going on and finding new artists
06:51
and a lot of people do send me,
06:53
hey, have you seen this art?
06:54
Because I know I'm always looking for artists and and some
06:57
of them might have been around,
06:58
but I've never connected with them.
07:00
And that's the cool thing about social media is like,
07:02
I've been able to DM people and say even the young people
07:05
the young girls coming up and playing from all over the
07:09
from Europe from Cuba.
07:11
like literally, I would text or DM them and say
07:14
hey, I just wanna let you know I'm a fan
07:16
even though this is the first time that I've seen them
07:18
I'm a fan and I wanna let you know,
07:20
keep doing what you're doing.
07:21
You're inspiring me And this is amazing.
07:23
It's like, thank you so much for what you're doing.
07:26
Inspiration. I mean,
07:27
if I got ad m from you saying that I'm like,
07:28
I know I'm on the right track.
07:30
Yeah. Absolutely. Absolutely.
07:32
No. Absolutely. And there's so many amazing young people
07:36
playing right now. That's the,
07:38
like, that's the cool thing is seeing that,
07:40
that man, there's a lot of young people like picking
07:43
up instruments and actually playing,
07:45
you know, mixing it with a little bit of technology with
07:49
it, that makes a difference.
07:50
We're looking for the next new sound and,
07:53
you know, and mixing things together.
07:55
that's what I did a little bit on this record is mixing
07:58
what I grew up listening to and who I am as an
08:01
artist from the Bay area with a little bit of a little
08:04
bit of R and B in Oakland Funk,
08:06
you know, like on Bemba Colora.
08:08
I mean, I don't think anyone had ever played drums on
08:12
that song. So playing drums and playing a drum solo on
08:16
I don't think no one especially a woman.
08:20
I wanna do it first of all because it felt right.
08:23
I knew I wanted to do that song and I heard it
08:25
was like, I gotta play drums on this song.
08:27
So you gotta go hard.
08:28
Right? This is your chance right now.
08:30
Yeah. Always, it's always,
08:31
it's always an opportunity.
08:32
Always an opportunity. I gotta ask this.
08:38
You gotta have groupies still,
08:39
right? There's still some Sheila e groupies.
08:41
I don't know. I'm too old for,
08:44
I'm too old. I'm Auntie,
08:47
Sheila. Auntie. Sheila doesn't have groupies.
08:49
Do you do? Where's the crew at?
08:51
She's got groupies, right?
08:53
Look at that. They say,
08:55
yeah, this group is in the house.
08:57
All ages. So 28 year old comes up,
09:00
spits some game to you like,
09:01
oh my God, like you out there gave me the life
09:04
What are you doing to a 20 year old?
09:06
A group? And you're like,
09:09
how are you coming to me though?
09:11
Like he's hitting on me or is a groupie?
09:14
Like I need some information musically.
09:16
What's the right way and the wrong way to hit on you
09:19
Be a goofy. I'm trying,
09:22
I'm trying, I'm making you nervous.
09:24
You are, you got a goy right here.
09:28
Ok. I'll tell you what,
09:30
you go ahead and hit on me and then I'll let you
09:32
know if it's right or wrong.
09:35
Oh my God. I don't know what to say right now
09:39
Head to toe. It doesn't work all,
09:44
No, I suck at music.
09:46
Teach me some moves.
09:47
How about that? Teach me how to dance.
09:49
Salsa. OK. That's better.
09:51
Teach me how to dance salsa.
09:53
So do I just go up like right at it?
09:55
Just, no, you just say,
09:56
hey, would you like to dance with me?
09:57
Just sit. That's it.
10:01
gotta try that one later.
10:07
So you never get burned out,
10:08
right? Do you ever get burned out by the industry?
10:10
The music salsa. Do you just get,
10:13
I wanna be a dog walker tomorrow or something like that.
10:17
The industry sucks right now.
10:19
It really does. It's horrible.
10:21
we can't make any money,
10:22
you know, streaming because it's streaming.
10:24
So, we don't make any money there and we can't
10:27
get paid for our work.
10:28
So we put out all this money constantly,
10:31
putting out money and we don't even get paid for it
10:33
So I don't know what's gonna happen.
10:35
Like I keep asking the younger generation to like,
10:38
can you guys come up with AAA music,
10:41
a new music industry?
10:42
Plan that, that we can all continue to survive because it's
10:46
not gotten better. I mean,
10:47
things are moving so slow and it's not even fair.
10:49
I mean, even with streaming,
10:51
how does a company start?
10:54
And then say, we're going to stream all your music,
10:57
they make a deal with the record companies and they don't come
11:01
We're signed to them still,
11:02
but they don't come to us and say,
11:03
hey, let's make a deal.
11:04
We're going to give you this amount of money because we're gonna
11:07
stream your songs and help you because we're supporting,
11:10
they took our music,
11:11
they never even had a conversation with us.
11:13
That's, that's unheard of.
11:15
So you're stealing our music and barely a dollar.
11:19
No, it's not even a dollar.
11:20
It's a half of a half of a cent,
11:23
you know, like a million,
11:25
a million streams is like 3000 $500 a million streams.
11:28
We, and, and if there's multiple riders,
11:30
if there's 56 riders,
11:32
we have to split like,
11:33
you know, $3000 or $350 for 100,000 streams,
11:38
there's $350 that we have to split between six of us.
11:42
You can't make a living.
11:43
It doesn't make sense at all.
11:44
The streams don't include the,
11:47
how do, how do you take back control?
11:49
more shows live? We have to perform live?
11:53
We have to, we have to perform live and we have
11:56
hard copies and ask them to support us,
11:59
like bring your product in order for you to make the money
12:02
because everyone that is played on there deserves the respect as well
12:06
You know, we have to put all the money up
12:08
front so that they can get paid because they know that the
12:11
streaming when they're not gonna get it.
12:12
Because what, what happens in salsa music dies because it,
12:15
what happens to the world?
12:16
It's not even the salsa music,
12:18
it's all music, it's all music and,
12:22
if, if music gets taken away,
12:24
we're not gonna be able to live.
12:25
It's like taking water away and,
12:27
and, and us being plants and being watered and,
12:30
and the fruits of our labor will not be able to grow
12:33
because there's no water to feed it.
12:35
Sunshine's gone. The happiness is gone.
12:37
Everything is gone. We will not survive without music.
12:40
We can't do you think like social media has anything to
12:44
this problem? It's too fast.
12:46
Music, not enough like love behind it.
12:50
it's not necessarily social media again.
12:53
It's the companies that started the streaming.
12:55
We feel like the last 10 years,
12:58
like people feel like they need to get stuff for free.
13:01
And why though, I mean,
13:02
everyone else gets paid,
13:04
there's unions and that's the hard part about it.
13:06
We, we have different unions for musicians but it's based on
13:10
local, wherever you live.
13:12
So you've got, you know,
13:13
every city has a different local and we can't even come together
13:16
to say, can we just stop the streaming?
13:18
You know? It's insane.
13:19
It's horrible. I'm seeing Emily Estefan with Caro G on
13:26
tour like they're doing it out here.
13:29
what do you feel when you see them on stage?
13:31
Like, yo, that's a new generation like playing percussion now
13:34
it's amazing. I've known Emily since she was a baby
13:38
you know, my little protege,
13:39
I call her, she's amazing.
13:41
Incredible. Not just a thing about percussion is drunk but she
13:45
plays everything, guitar,
13:46
piano. Like, you know,
13:48
she went to Berkeley,
13:49
she reads music, music,
13:51
she's got a beautiful voice.
13:53
Like she has it all like the full package and,
13:56
and when she was coming to LA,
13:58
I was like, you're here and you didn't tell me you
14:01
I'm so sorry, you know,
14:02
I was like, but she had the gig with Carol G
14:05
OK. Carol G come before Auntie.
14:07
She really, this time this time you're teaching us some tricks
14:11
right? Some little hacks and cool things that you can
14:14
she's, she watched me since she was little,
14:17
you know, and I mean,
14:18
now I'm watching her and that's what I'm saying.
14:20
Being inspired by the younger generation.
14:23
that's really cool. And I,
14:24
I text her and I said,
14:26
you know, you did a great job with Carol G.
14:27
It was amazing. You know,
14:30
that means so much because it does,
14:33
you talk to someone that you admire and they say,
14:36
you know, well done,
14:39
it's like, I'm not just gonna say it,
14:40
you know, just to see that.
14:42
I really mean it and if there's any situation that needs to
14:45
be fixed or whatever it is like next time maybe just,
14:47
you know, if that that needs to be.
14:49
But that's the part.
14:50
I mean, people were able to tell me that and still
14:53
you know, being able to tell me,
14:55
I love hearing, you know,
14:57
a constructive criticism in a way that allows me to be better
15:02
I mean, sometimes it's hard to take it.
15:05
if we're having a conversation,
15:06
like I tell people don't be afraid to say something to me
15:10
that I need to change if you didn't say it and I
15:12
did it and you're like,
15:13
why didn't you tell me?
15:14
You know, it's not good.
15:16
Yeah, you get the Hollywood star.
15:21
How does it feel to have that?
15:22
Oh, yeah, that was amazing.
15:24
It was especially like I never said like I wanna be in
15:28
Hollywood. Like in that way,
15:30
I, I wanted to leave the Bay Area,
15:33
Oakland and then, and then start my career in Los Angeles
15:37
because there was more work,
15:38
things were happening. So you kind of go like,
15:40
yeah, I just wanna pursue my career.
15:44
when I got the start and,
15:45
and realizing that literally,
15:48
you know, maybe half a mile down the street or so
15:51
that was the first place that I moved to L A
15:54
when I so like down the street,
15:56
you could see the apartment like that's where I first moved.
15:59
And here's the star right here in front of Musicians Institute for
16:02
Music for, for all these students like a little for be
16:06
there forever. And it just,
16:08
I never thought that I would get a star.
16:10
Never. You ever go by and just like polish it up
16:12
a little like no fans are doing that for me.
16:16
They've been posting going look,
16:19
I'm gonna clean it up real literally.
16:21
They've been doing that.
16:22
It's, it's amazing how did pops feel when that happened?
16:26
they cried, they cried like I did we all cried
16:29
like babies. Like we couldn't believe,
16:31
wow, I'm getting the start.
16:33
It was a shock to me.
16:36
How does it go about like,
16:37
call you or like out of out of the blue?
16:40
Yeah. Well, my cousin,
16:42
works for my company and,
16:44
she just said we have to take a call right
16:46
what? So I was like,
16:48
ok, so I come inside and,
16:50
you know, I take the call and they surprised me and
16:53
the lady said I just wanna let you know,
16:55
you know that you're receiving the star in the Hollywood Walk of
16:59
wait, what, what are you saying?
17:02
I couldn't believe it.
17:03
That was amazing. Yeah.
17:07
Are you excited to play salsa Live?
17:09
How's that? How's that gonna feel for you?
17:11
It's gonna be amazing.
17:14
I mean, I haven't played salsa music for a long
17:18
time. I'll sit in with other bands and especially my dad
17:21
and I back in the day in the seventies,
17:24
going to New York and sitting in with Tito,
17:27
you know, or sitting in with Ray Barretto or Mogul South
17:30
We were able to do that,
17:31
sitting with these amazing artists playing,
17:33
I played a show with Celia Tito and Kacha together,
17:38
you know, it's just amazing.
17:40
So now it's been a minute since I've played,
17:44
I've done some songs in the last,
17:45
you know, five or so years.
17:48
But the interesting thing about this is we're all kind of like
17:51
listening to the music now because doing this project,
17:55
I played different instruments and then sang and then you know,
17:58
when you put it all together,
18:00
this song I should play Timba.
18:02
No, this one I should play conga because I'm not sure
18:04
Well, I have to sing in Spanish.
18:06
I don't speak Spanish at all.
18:08
And so it's like remembering what,
18:11
what's the enunciation and pronouncing this,
18:14
But playing the right cowbell beat all of that is,
18:22
I, it's half of my original band and then most of
18:26
the musicians in Miami.
18:28
So I'm mixing the two together.
18:31
five horns, two keyboard players,
18:33
guitar player, bass,
18:34
a drummer that plays Bongo and Bell.
18:37
And then the conga player that plays timbales and five singers
18:41
because they're Spanish and English.
18:43
So they're, we're mixing it together and then all of the
18:46
artists and I'm bringing my entire kit with timbales.
18:49
Congas and drums and I'm playing all of everything.
18:53
I'm just gonna be running around on stage doing everything.
18:56
What do you do with the crowd?
18:56
The crowds sitting down,
18:57
they're, they're not dancing.
18:58
What do you do to get them up on their feet?
19:00
Normally South side will get people on their feet.
19:03
But if they're just chilling vibing and you're like,
19:05
I'm not worried about it.
19:08
Because at the end of the day it's how you end up
19:11
It's not how you start and at the end they're always
19:14
standing up. I don't even worry.
19:16
but it's not my concern at all.
19:18
Even if the rhythm is off,
19:19
they're, they're partying,
19:19
they're having a good time.
19:21
they're gonna enjoy it because the,
19:22
the part about being able to create and then play that music
19:28
like all of us finally coming together,
19:29
we're only gonna have two days of rehearsal and we're all gonna
19:32
come together for the first time ever.
19:34
I've never played with some of these people before these musicians and
19:37
artists. So to play live together is gonna be amazing.
19:41
We're gonna have so much fun.
19:43
You're gonna be affected by how we feel.
19:45
You're going to see it,
19:46
you're gonna feel it.
19:47
I mean, if you don't feel it,
19:49
you're in the wrong place,
19:50
the energy nice and hard.
19:52
it's just what it's gonna be.
19:53
It's gonna be exciting.
19:55
you know what's like the best city that you think to throw
19:58
these, these parties too?
20:00
I'm gonna feel it's a party,
20:01
not just it is a party,
20:03
it's a party. The best city you think that's gonna vibe
20:05
everywhere I put my foot is a,
20:07
that's it. New York or Miami.
20:13
Who are you inviting backstage?
20:14
How about that in Miami?
20:15
Who's gonna be like your person?
20:17
you gotta come through,
20:18
it's gonna be a party.
20:20
I've already, that list is long.
20:22
You better be there.
20:23
You better be there.
20:24
Tequila. Bring a bottle of tequila.
20:26
That's it. You know,
20:27
you gotta have a good time,
20:28
right? Yeah, we're gonna have a good time.
20:29
It's gonna be incredible.
20:34
highlights of like best gigs that you can like,
20:36
remember best gigs.,
20:40
everything was perfect. The weather,
20:43
most of them are perfect in a way that,
20:47
you know, we're able to say you come off stage going
20:49
God, that was amazing.
20:50
We touched so many people.
20:52
There are some clunkers,
20:54
you know where either,
20:55
you know, half of your drums are messed up or,
20:58
you know, the P A system,
20:59
you can't hear anything,
21:00
you can't hear anything but the people can hear it but you
21:05
we can't hear anything.
21:06
You just keep going and you're just like,
21:07
that was horrible. But the people loved it and at the
21:10
end of the day you make them happy,
21:12
you can't stop and go what's going on,
21:14
you know, you have to keep going.
21:15
There's no way you can do that.
21:16
No, you just have to keep going through and hopefully someone
21:19
runs on the stage and connect something or something.
21:23
you're like, you gotta play harder,
21:26
gotta get wilder. Yeah,
21:29
I mean, was there any like,
21:30
shows that you were like what,
21:33
how do we get to see Memphis or?
21:37
there, there are times,
21:38
well, well, a lot of the times,
21:40
we end up at venues.
21:43
All my, I've been doing this professionally since I was 15
21:46
so I'm used to coming through the back door and there have
21:49
been some times where I go to see an artist.
21:51
I'm like, I've never been here before.
21:53
They, like, we just played there last month.
21:55
What do you wait a minute?
21:57
And they're like, no,
21:58
because you go through,
21:59
you go through the back door.
22:00
I don't know what the front of a venue looks like.
22:03
So or we're going through the kitchen or through the,
22:05
you know where the trash is and we're just used to doing
22:10
and, and because you keep going,
22:12
especially when you're on tour,
22:14
There's a couple of times more than a couple.
22:16
I have said, hey Memphis,
22:18
how you doing? Wait,
22:20
where are we, Chicago?
22:21
Oh my God, I'm so sorry that happened.
22:25
I just want to make sure you guys are paying,
22:32
I know you're gonna play forever,
22:34
right? Can, can you,
22:36
But can you are those bad boys insured?
22:39
Are those hands insured?
22:40
they are insured. What are they insured for?
22:42
Can we ask chameleons?
22:44
Millions? I was scared to touch your hands.
22:50
Someone's coming in with their gross little hands on you.
22:54
hit him with a little elbow.
22:56
that's the hard thing when once COVID happens,
22:58
like when I shook everyone's hand kinda,
23:00
I do this and Ringo Star showed me that because everyone's hands
23:04
are. So he tries to grab the forearm.
23:08
Like, how do you train for a tour?
23:10
Obviously, you're learning in the handshakes,
23:11
don't touch my hands,
23:13
trying to practice and,
23:15
you know, and I don't usually practice at all,
23:17
but this one, I've had to sit down and practice because
23:20
it's a lot. It's very demanding and,
23:23
you know, going from one song to another playing different instruments
23:29
you know, and getting ready for it.
23:32
I've had a little knee,
23:34
mishap with my knee.
23:36
So it's been a little rough getting back to that point,
23:39
you know, but I'll get there,
23:40
but I'm excited. Nothing's gonna stop me.
23:45
Is there anything like,
23:45
cool, anything else that was cool that Ringo taught you?
23:47
I wanna know more about that.
23:49
What are the tricks?
23:52
the cool thing about it is like,
23:54
he's just so like you're sitting there talking to him and when
23:58
he starts talking, you're going,
23:59
God, he's a beetle that's really him,
24:03
and the stories that he tells and the same thing is like
24:06
there was a time that he,
24:09
they did a show and none of his drums showed
24:12
up. He only had Cymbals.
24:14
He had no kick drum,
24:16
Nothing. He just had Cymbals.
24:18
He said, and everyone's screaming and yelling in the stadium.
24:21
He goes, they didn't even know I had no drums.
24:23
It didn't even matter.
24:24
He just played Cymbals the whole time.
24:27
And people were left like,
24:28
oh, it was the greatest show ever.
24:30
You just keep going.
24:31
You know, you just keep going.
24:32
How does that mess with the band though?
24:33
There's no drums now.
24:34
It doesn't just keep going.
24:36
You just keep, do you play the rest of it?
24:39
Yeah. You just pretend.
24:42
So let's refresh everybody when the album's coming out.
24:44
April 5th, my lab's coming out.
24:47
It's gonna be on all platforms.
24:51
what else can we do?
24:52
What else can we do to prep for this?
24:54
Support, support it.
24:56
Yeah. Even though it's streaming,
24:59
support it, support all the artists and the musicians that put
25:02
all the love and the soul and the heart and the passion
25:05
into it and you know,
25:06
wherever we might may be performing.
25:08
So you can go to Sheila e.com and I will sign it
25:11
When you go to our website,
25:13
I sign it and we ship them out a million dollar hand
25:15
She's gonna sign this.
25:16
So an icon, living legend.
25:19
E thank you so much.
25:20
Thank you. Thank you.
Series